NFB Collection
Britannia: A Company Town
200045 min 36 secFilm: Documentary
Direction: David Vaisbord
Production: David Vaisbord (Screen Siren Pictures Inc.)Trish DolmanSelwyn Jacob (National Film Board of Canada)
Script: Michelle Bjornson
Produced by Screen Siren Pictures Inc. in co-production with the National Film Board of Canada, in association with CTV and the support of Vancouver Television; in association with TV Ontario; the participation of British Columbia Film; the financial participation of Rogers Documentary Fund; with the support of the BC Arts Council; developed with the participation of Rogers Communications Inc.; with the assistance of the Saskatchewan Communications Network; in association with the Knowledge Network, with the participation of the Government of British Columbia Incentive BC Program and the Canadian Film or Video Production Tax Credit.
An hour north of Vancouver on the Whistler highway lies the community of Britannia. Once home to the largest copper mine in the British Commonwealth, Brittania is now almost a ghost town, tarnished by a run-down mine building and a legacy of environmental destruction. Brittania: A Company Town draws upon archival footage and residents' memories to paint an intimate, bittersweet portrait of this once flourishing community. Britannia also takes a tough look at how, more than a quarter century after its closure, the mine continues to empty up to a ton of heavy metals daily into the scenic waters of Howe Sound. The mine owners have declared bankruptcy, and no one seems willing to take responsibility for the disaster. The film follows the drama as the townspeople seek help to clean up the toxic waste. The story of a small town struggling to reinvent itself, this is also a celebration of the people who used to--and still do--call Britannia home.
Availability
Subject categories
- Mining > British ColumbiaMetalsMining Communities
- Environment and Conservation > PollutionSocial Action
Credits
- director
- David Vaisbord
- co-producer
- David Vaisbord
- producer
- Trish Dolman
- Selwyn Jacob
- story editor
- Michelle Bjornson
- creative consultant
- Michelle Bjornson
- narration - writer
- Michelle Bjornson
- narrator
- Michael Turner
- line production
- Erin Smith
- production manager
- Erin Smith
- director of photography
- Robert Aschmann
- camera assistant
- Andrew Coppin
- steadicam operator
- Tim Spencer
- stills photographer
- Lincoln Clarkes
- David Vaisbord
- underwater camera operator
- Braden Haggerty
- Bridget Stobel
- additional camera
- Trish Dolman
- Patrick Harrison
- Jonas Quastel
- James Tocher
- Andrew Whyte
- hi-8 camera
- David Vaisbord
- gaffer daily
- Edward Bradow
- David Knight
- lighting assistant
- Scott Spencer
- sound mixer
- Brent Caulkin
- production assistant
- Daniel LaForest
- Peter Cochlin
- development production assistant
- Sheril Gelmon
- Chris Gora
- Michelle Mason
- script consultant
- Eunice Ludlow
- researcher
- Carolyn Allain
- Alan Goldman
- editor
- Al Flett
- consulting editor
- Reginald Dean Harkema
- assistant editor
- Mandy Leith
- transcriber
- Darba Wakefield
- Pamela Pelligrini
- Kim Sinclair
- Katherine Hamer
- offline facility
- Comet Post Production
- motion control
- Carousel Video Workshop
- on-line facility
- Studio Post & Imaging Inc.
- online editor
- Ken Cathro
- colourist
- Gregg Vallieres
- composer
- Patric Caird
- music editor
- Shawn Pierce
- audio post-production
- Orca Pacific Productions
- sound mix
- Orca Pacific Productions
- sound effects editor
- Hugh Gordon
- dialogue editor
- Mario Loubert
- graphic design
- Ryan Castle Design
- production accounting
- Tina Lynch
- audit
- Ellis Foster
- executive in charge of production
- Louise Clark
- commissioning editor
- Rudy Buttignol