NFB Collection
The Man Who Left His Will on Film Video Essay
201218 min 25 secFilm: Documentary
Script: Christopher Heron
This title is an acquisition.
A video essay that considers how Nagisa Oshima’s The Man Who Left His Will on Film (1970) can be understood through its representation of the space of Tokyo, its political climate in the 1960s, the modernity thesis, and Richard Sennett’s The Fall of Public Man.
Subject categories
- Film and Video Arts > Historical Perspectives
- Media Education > Film and Video Production
- Arts Education > Visual Arts
Credits
- writer
- Christopher Heron
- editor
- Christopher Heron