NFB Collection
Niigaanibatowaad: FrontRunners
200747 min 22 secFilm: Documentary
Direction: Lori Lewis
Production: Phyllis LaingLaura RobinsonLori LewisLiz JarvisJean Du Toit
Script: Laura RobinsonLaura Phillips
Produced by Laksakla Productions, Laura Robinson and Buffalo Gal Pictures in association with APTN.
This title is an acquisition.
At a special ceremony during the opening of the 1999 Pan Am Games in Winnipeg, Manitoba, seven Indigenous men in their fifties entered the stadium in war canoes. One of them held the Games torch. In 1967 when Winnipeg first hosted the Pan American Games, ten outstanding athletic teenage boys were chosen to run 800 kilometers over an ancient message route with the Games torch. When the runners arrived at the stadium, they were not allowed to enter with the torch. Instead, a non-Indigenous runner was given the honour. Thirty-two-years later, the province of Manitoba issued an official apology.
Nine of the ten young men chosen for the 1967 Pan Am Games torch run were from residential schools. Niigaanibatowaad is about the segregation of the Indigenous athletes and the despair and abuse suffered in the school system. Niigaanibatowaad: FrontRunners is a story of survival, hope, reconciliation and a dream for a new beginning that transcends hatred and racism.
Availability
Subject categories
- Indigenous Peoples in Canada (First Nations and Métis) > Adolescents and Young AdultsCultural ConflictDiscriminationHistoryResidential SchoolsSports
- Sports and Leisure > Competitions
- Ethics and Religious Culture > Ethical Values
- Indigenous Studies > History/PoliticsIdentity/Society
- Civics/Citizenship > Human Rights
- Health/Personal Development > Mental Health/Stress/SuicideSubstance Use and Abuse/Addiction
- Roles & Relationships > Race Relations, Racism & Discrimination
- Education > Residential Schools History, Personal Accounts, Experience Residential Schools Trauma & Healing
- Community > Sports & Recreation
Credits
- director
- Lori Lewis
- director's mentor
- John Gurdebeke
- writer
- Laura Robinson
- executive producer
- Phyllis Laing
- producer
- Laura Robinson
- Lori Lewis
- Liz Jarvis
- visual concept
- John Gurdebeke
- director of photography
- Don Lowe
- editor
- John Gurdebeke
- sound designer
- John Gurdebeke
- music
- James Creasey
- cast
- Ron Desmoulins
- Derek, Jr. George
- Lori Lewis
- Darren M. Felbel
- Mary Black
- Patrick Bruyère
- Payton Whitehead
- Ryan McNally
- Charles Nelson
- Jeremiah Spence
- spiritual advisor
- Charles Nelson
- oshkabaywis
- Violet Caibaiosai
- business affairs
- Deborah Carlson
- production executive
- Jean Du Toit
- line production
- Shelly-Anne Hays
- 1st assistant director
- Anastasia Geras
- 2nd assistant director
- Caitlin Brown
- production coordinator
- Caitlin Brown
- art director
- Jason Gibbs
- story editor
- Laura Phillips
- story consultant
- Charles Nelson
- Fred Harper
- Patrick Bruyère
- consultant
- John Gurdebeke
- set decorator
- Robert Kestler
- props master
- Chris Roznowsky
- casting director
- Jim Heber
- casting assistant
- Joey Ritchie
- original theatrical casting
- Laura Robinson
- 1st assistant camera
- Andrew Forbes
- stills photographer
- Charles Shilliday
- location sound
- Russ Dyck
- boom operator
- Sacha Rosen
- gaffer
- James Chrysler
- best boy
- Ward Wotton
- key grip
- Reil Munro
- grip
- Richard Doyle
- Dennis Harper
- Chris Roy
- Julian Saray
- Sasha Spence
- Vince Syposh
- rigging grip
- Kevin Glade
- continuity
- Tanya Mazur
- key wardrobe
- Angela Wells
- key hair stylist
- Ediena Hawkes
- key makeup
- Brianne Lewin
- assistant location manager
- Rena Sharfe
- production assistant
- Faith McDonald
- production accountant
- Ross Ikeda
- craft service
- Bea Letkeman
- Darlene Sanderson
- craft service assistant
- Joyce Chene
- online editor
- Tony Wytinck