The Sacred Sundance: The Transfer of a Ceremony

20081 h 9 min 22 secFilm: Documentary

G

Direction: Brian J. Francis

Production: Kent Martin

Script: Brian J. Francis

Under a sweltering July sky, participants in the sacred Sundance ceremony go four days without food or water. At the end of the gruelling experience they will pierce the flesh of their chests in an offering to the Creator.

The Sundance is a ritual long misunderstood, and once banned - but one that is now helping to bring personal and social healing to East Coast Indigenous communities.

With The Sacred Sundance, Mi’kmaq director Brian J. Francis journeys into the traditions of North American Indigenous spirituality. The Sundance is new to the Mi'kmaq people of Eastern Canada, brought to them from the West by elder William Nevin of the Elsipogtog First Nation. This event marks a unique transmission of traditional culture from one First Nation to another.

Nevin first dances for two of his children who were critically ill, and later to help heal his fractured community. Another man becomes involved in an effort to leave behind a life of alcohol and criminal activity, and to become a role model for his young family. A woman takes part in order to understand her identity and affirm her role as a North American Indigenous woman. For all of them, the Sundance is a link to the great warrior traditions of the past.

The Sundance itself cannot be filmed, but through the preparations for the ceremony, and through the words of its participants, we are left with a deep understanding of the healing power it has brought to communities who did not traditionally practice it. The film offers a model for Indigenous people reclaiming their heritage and embracing traditions - and with them, hope for the future.

Subject categories


  • Indigenous Peoples in Canada (First Nations and Métis) > Atlantic RegionReligion and Spirituality
  • Dance > Folk Dancing
  • Religion, Beliefs and Ethics > HealingIndigenous Spirituality
  • History and Citizenship Education > Culture and Currents of Thought (1500-present)Imperialism and Colonization (1800s-1900s)
  • Indigenous Studies > Identity/Society
  • Health/Personal Development > Substance Use and Abuse/Addiction
  • Health & Wellbeing > Addiction (Alcohol, Drugs, Smoking Cessation) Traditional Health, Healing & Medicine
  • Nature & Ecological Knowledge > Botany, Plants, Forestry Ethnobotany & Traditional Use Traditional Forest Use
  • Worldview, Belief, Spirituality Philosophy & Ideology > Ceremonies, Rites, Traditions Dance Ceremonies Rites of Passage Sun Dance Sweat Lodge
  • Colonizing Government Policy, Impacts & Outcomes > Colonization
  • Education > Indigenous Education – Canada
  • Roles & Relationships > Indigenous Identity
  • Community > Indigenous Knowledge Systems and Intellectual Property
  • Indigenous Governance General (Modern, Contemporary) > Indigenous Leaders & Leadership
  • Indigenous Peoples: Canada > Mi'kmaq (L'nu)

Credits


participant
Kani Malsom
William Nevin
Bernard Jerome
Keith Chiefmoon
Nathan Chasing Horse
Pamela Red Cloud
Melvin, Jr. Brewer
Hubert Francis
Eugene Sock
Stephanie Simon
Cynthia Davidson
writer
Brian J. Francis
director
Brian J. Francis
producer
Kent Martin
cinematography
Nigel Markham
sound
Alex Salter
editor
Rohan Fernando
production supervisor
Patricia Coughran
additional sound
Rohan Fernando
Kent Martin
original music composer
Ronaldo Richard
Hubert Francis
additional music
David R. Maracle
research
Brian J. Francis
sound editor
Alex Salter
re-recording
Allan Scarth
video mastering
Steve Cook
on-line
Steve Cook
production co-ordinator
Stephanie Coolen
Vanessa Larsen
marketing manager
Amy Stewart Gallant
Philip Moscovitch
centre administrator
John William Lutz