NFB Collection
The Last Trapper
20041 h 41 min 12 secFilm: Fiction, Feature-length fiction
Direction: Nicolas Vanier
Production: Jean-Pierre Bailly (MC4)Éric Michel (National Film Board of Canada)Claude Bonin
Script: Nicolas Vanier
Co-produced by the National Film Board of Canada, MC4, TF1 Cinéma, Pandora Film Produktion, Les Productions Jean-Marc Henchoz SA and Mikado, with the participation of Canal+, Télévison Suisse Romande / an SRG SSR idée Suisse Company and the Yukon Film Commission, sponsored by Gaz de France, with assistance from Procirep, Angoa-Agicoa, I2I audiovisuel, Media Programme of the European commission in association with Sogecinéma and Sofica-Volor 6, and with the participation of the Ministère de la Culture et de la Communication (CNC) and Investitionbank Hessen AG.
This is not a work of fiction, nor is it a documentary. The Last Trapper is a film intended to draw spectators into the world of a real-life character by showing him experience?and sometimes re-enact?various moments and selected episodes of his life.
A camera crew followed Norman and his companion, a Nahanni woman, along their trap line, filming them as they built their log cabin, hunted and fished. The crew virtually lived with them, shooting on-the-spot footage that ultimately formed the film?s context, giving it a uniqueness and power all its own. Norman and Nebaska take us into an exceptional realm where words are no match for the forceful blizzard gusts, where the layer of ice crystals coating their faces is so thick they are unable to speak... We are plunged into a primal world to undertake a journey of initiation and come into contact with a way of thinking that links the sacred to the euphoric.
The crew spent an entire year in the bush with Norman, working to capture the real-life moments when he played his best role: himself.
To round out the film?s narrative, re-enactments of some of the most compelling events in Norman?s life have been added. The purpose of the following synopsis is to describe some of these scenes and the way they are interconnected. They make up the film?s underlying structure and basic storyline, the framework that allows the rest the sequences to fall into place naturally.
Availability
Other versions
Subject categories
- Fishing and Hunting Industries > Fur Industries and Trapping
- Animals > Hunting and TrappingMountain and Forest Animals
- Environment and Conservation > Portraits
- Social Studies > Environmental Challenges
- Geography > Natural Resources
- Physical Education > Outdoor Education
Credits
- director
- Nicolas Vanier
- participant
- Norman Winther
- May Loo
- Alex Van Bibber
- Alena Lemaire
- Christopher Lewis
- Ken Bolton
- Roy Ness
- Denny Denison
- Kaori Toregai
- Robert Lafleur
- animal handler
- Andrew Simpson
- animal coordinator
- Andrew Simpson
- horse trainer
- Charmyn Harms
- dog handler
- Jérôme Allouc
- Natasha Ayoub
- David Godin
- David Guilchrist
- bear handler
- Ruth La Barge
- bear handler - assistant
- Doug Bos
- wolf handler
- Dana Dubé
- Dean Dubé
- Andrew Simpson
- otter handler
- Dale Gienow
- lynx handler
- Dale Gienow
- screenplay
- Nicolas Vanier
- script consultant
- Florence Roussel
- text editing
- Dominique Kugler
- dialogue editor
- Dominique Kugler
- production manager
- Bertrand Jenny
- 1st assistant director
- Philippe Baisadouli
- Christophe Barbier
- breakdown
- Christophe Barbier
- preparation
- Christophe Barbier
- casting director
- Arlin McFarlane
- Sophie Blanchouin
- Murielle Laferrière enr.
- coordinator of extras
- Arlin McFarlane
- translator
- Trudy MacLeod
- Joshua Beitel
- coach
- Trudy MacLeod
- storyboard
- Gilles Cornu
- key makeup artist
- Kuno Schlegelmilch
- script supervisor
- Shari McIntosh
- makeup artist
- Shari McIntosh
- director of photography
- Thierry Machado
- camera operator
- Thierry Machado
- Laurent Charbonnier
- Christian Gaume
- 1st assistant camera
- Stéphane Paillard
- 2nd assistant camera
- Josée Mongeau
- Guillaume Parisien
- 2nd cameraman
- Sylvain Maillard
- assistant camera
- Samuel Delus
- Mathilde Louveau
- sound engineer
- Emmanuel Hachette
- Daniel Bisson
- Didier Lizé
- grip
- Sylvain Bardoux
- Vincent Blasco
- best boy grip
- Colin MacKenzie
- Tyler-Mount technician
- Michaël Darby
- Power-Pod technician
- Mario Carter
- ciné-bulle
- Dany Cleyet-Marrel
- gaffer
- Bernard Arseneau
- Pierre Beaulieu
- René Guillard
- best boy electrician
- Greg Daniels
- Derek Ryles
- key set decorator
- Kurt Fraser
- props person
- Kurt Fraser
- scenic artist
- Dereen Hildebrand
- head carpenter
- Jérôme Allouc
- Roch Boivin
- assistant carpenter
- Wheeler Metro
- William Smith
- canoe-maker
- Grant Goltz
- sled-maker
- Tony Paré
- wardrobe
- Aurora Booties
- Christian Klein
- Peggy Sturm
- location special effects
- Les Productions de l'Intrigue
- location special effects coordinator
- Denis Lavigne
- Mario Dumont
- location special effects technician
- Gaspar Brabant
- Pierre Côté
- Curt Storms
- special effects with canoes
- Robert Daffe
- head diver - underwater safety
- Patrick Marchand
- diver
- Guillaume Allaire
- Séverine Crettenand
- mountain safety
- Éric Alexandre
- sub-zero safety consultant
- Art XIX
- chief unit manager
- Vincent Steiger
- location manager
- Pierre Michaut
- unit manager
- Gaëtan Fluet
- Francis Choquette
- assistant unit manager
- Corentin Chaillon
- Pierre-Emmanuel Chaillon
- Christian Dobler
- Pierre Heleu
- Didier Langou
- Emmanuel Moreau
- Thomas Pflimlin
- Charles Scalabrino
- unit apprentice
- Ely Boivin
- Paul Henderson
- Jean-Daniel Klein
- Mark Klein
- Melissa Mandryk
- Ranj Pillai
- Tekoa Predika
- Alexandre Romanoff
- Robert Savard
- Peter Schnurr
- Etienne Steiger
- Heath Stevenson
- Ed Vos
- production secretary
- Dominic Guillet
- Annie Savoie
- Martin Gagnon
- Aline Hamou
- Catherine Millar
- Camelija Karlic
- security coordinator
- Don MacKenzie
- security guard
- David Anguish
- Steve Ash
- David Fleshman
- Jeremy Sévigny
- Honey-Starr Sidney
- Bruce Skea
- chef
- Louise Lévesque
- nurse
- Louise Lévesque
- cook
- Catherine Blair
- Eileen O'Hara
- craft service
- Tintina Bakery
- Mary-El
- editor
- Yves Chaput
- sound editor
- Marie-Claude Gagné
- Luc Mandeville
- Jacques Plante
- foley artist
- Lise Wedlock
- foley assistant
- Geneviève Lapointe
- foley sound engineer
- Jo Caron
- sound mix re-recording
- Serge Boivin
- Shelley Craig
- innovation and technical services
- Jean-Yves Blaquière
- Claude Chevalier
- Martine Forget
- Pierre Ferlatte
- Susan Gourley
- Danielle Raymond
- visual effects supervisor
- Yves Béland
- technical director
- Jean-Romain Clark
- compositor
- Jean-Romain Clark
- Philippe Léonard
- Suzie Synnott
- 3D computer graphist
- Georges Mauro
- T. Akie Prapas
- credits
- Benoît Chagnon
- stage director
- Jacques Plante
- voice
- Alain Goulem
- Arthur Grosser
- Karen Elkin
- Richard Zeman
- walla actor
- Maria Bircher
- Lisa Bronwyn Moore
- Chip Chuipka
- Terry Haig
- Arthur Holder
- Pier Kohl
- Michel Perron
- Bill Rowat
- Michael Rudder
- assistant sound engineer
- Gregory Bolduc
- transcripts
- Monique Bisson
- Hélène Laporte-Rawji
- rythmo band
- Normand Bélanger
- calligraphy
- Anne-Marie Liou
- colour correction
- Vision Globale
- colorist
- Brigitte Daigneault
- editing studio
- Dominique Mallen
- original music
- Krishna Levy
- violin
- Hervé Cavelier
- guitar
- Jacky Tricoire
- percussion
- Jean-Paul Batailley
- Jean-Philippe Batailley
- voice - music
- Bruno Girard
- bass guitar
- Tony Bonfils
- flute
- Renaud Pion
- music recording
- Patrick Chenais
- orchestra
- Les Archets de Paris
- music mixing
- Didier Lizé
- music mixing - assistance
- Denis Caribaux
- executive production - music
- Amélie De Chassey
- executive production - music - assistance
- Delphine Mathieu
- executive producer
- Jean-Pierre Bailly
- Éric Michel
- production accountant
- Christophe Plantin
- production accountant - assistant
- Karine Lanfranchi
- production administrator
- Sylvie Balloy
- Séverine Benchaa
- Rainer Teusner
- post-production coordinator
- Caroline Maret
- Jean-Pierre St-Michel
- Elisabetta Olmi
- production assistant
- Marie Dumont
- Mathieu Rivoli
- Elena Trifonova
- Making of director
- Thomas Bounoure
- location photographer
- Éric Travers
- producer
- Claude Bonin
- line production
- Joanne Carrière
- Ferdinanda Frangipane
- line producer - development
- Virginie Millière
- administration
- Maryse Chapdelaine
- Roberta Mozzati
- administration assistant
- Brigitte Couture
- Isabelle de Bellefeuille
- Daniel Gosselin
- post-production co-ordinator - assistance
- Mirenda Ouellet
- press attaché
- Sophie Bataille