NFB Collection
The Secret Order
20221 h 24 min 44 secFilm: Documentary
Direction: Phil Comeau
Production: Christine Aubé (National Film Board of Canada)Denis McCready (National Film Board of Canada)Nathalie Cloutier (National Film Board of Canada)
Script: Phil Comeau
A production of the National Film Board of Canada.
What if one of your loved ones was a member of a powerful secret society?
Founded in 1926 to defend the interests of French Canadians, the Ordre de Jacques-Cartier had more than 72,000 members. Over nearly 40 years, this secret society infiltrated the machinery of the state and the private sector, as well as associations and media.
Having learned that his father was a commander in the Order, filmmaker Phil Comeau launches a fascinating investigation into the group, raising the curtain on the shadowy men who belonged to the Order and the causes for which they fought.
In The Secret Order, former members of the organization step out of the shadows for the first time, witnesses tell their stories and experts offer context and explanation. We also get to see an initiation ceremony, brought to life by captivating reconstructed sequences.
By retracing his own father’s secret journey, Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier and paints a gripping portrait of the social and political struggles faced by Canadian francophone-minority communities during the 20th century.
Availability
Other versions
Subject categories
- Francophone Communities > AcadiaMinoritiesNew BrunswickNova ScotiaOntario
- History - Canada > Atlantic Region
- History - Canada - 1946-Present > Atlantic Region
- Cultural Diversity and Multiculturalism > English-French Relations
Credits
- participation
- Louis-Philippe Albert
- Hébert Arseneault
- Louise Blanchard
- Lucien Boudreau
- Jeannine Boudreau-Finn
- Marthe Caron
- Gérald Carroll
- Euclide Chiasson
- Alice Cocunubova
- Jeanne-Mance Cormier
- Aldelbert Dugas
- Louise Imbeault
- Antoine Landry
- Mathias Landry
- Sylvain Lanteigne
- Édouard LeBlanc
- François Leblanc
- Clarence LeBreton
- Edmond Paulin
- Antoine Richard
- Guy Richard
- Denise Robillard
- Lorio Roy
- Bernard Savoie
- Louise Savoie
- Pierrette Savoie
- Bernard Thériault
- Léon Thériault
- actor
- André Roy
- Gabriel Robichaud
- Raphaël Butler
- Jean-Philippe Raîche
- Ludger Beaulieu
- Émilien Cormier
- Félix Basque
- Gabriel Vincent Deslauriers
- Mathieu Chouinard
- Christian Kit Goguen
- Philip André Collette
- Ghislain Basque
- Luc Doucet
- Rosaire L'Italien
- Sébastien Poirier
- Maël Bisson
- extra
- Marcel Allard
- Lee Cormier
- Michel Cyr
- Jules Desrosiers
- Frédéric Dion
- Éloi Doucet
- André Frenette
- Bernard Galarneau
- Pascal Haché
- Philippe Landry
- René Légère
- Jean-Marie Nadeau
- Daniel Pitre
- Denis Rioux
- Claude Sivret
- director
- Phil Comeau
- scriptwriter
- Phil Comeau
- researcher
- Phil Comeau
- narrator
- Phil Comeau
- editor
- Louis-Martin Paradis
- director of photography
- Mario Paulin
- Jérôme Sabourin
- additional cameraman
- Bernard Fougères
- Étienne Boivin
- location sound recorder
- Serge Arseneault
- additional location sound recorder
- Marc Landry
- Richard Lavoie
- Patrick Martin
- animator
- Éléonore Goldberg
- production manager
- Colette Mallais
- Geneviève Thibert
- narration recording director
- Michel Langlois
- narration recording
- Jonathan Sonier
- art director
- Xavier Georges
- 1st assistant director
- Daniel Basque
- 2nd assistant director
- Marie-Pierre Valay-Nadeau
- 3rd assistant director
- Aline Nicholson
- set designer
- Bernice Butler
- props
- Andrea Buckle
- 1st assistant cameraman
- Étienne Boivin
- 2nd assistant cameraman
- Étienne Boivin
- boom operator
- Marc Landry
- script supervisor
- Louise Thériault
- location director
- Monique Malenfant
- location manager
- Marie-France Jean
- production assistant
- Nicolas Boudreau
- key grip
- Éric Arsenault
- best boy grip
- Jean-Michel Vienneau
- gaffer
- Simon Doucet
- best boy gaffer
- Paul Parker
- carpenter
- Sylvain Ward
- costume designer
- Lynn Losier
- Claudie Landry
- head wardrobe
- Alexandra Johnston
- set dresser
- Michelle Paulin
- hairdresser
- Mindy Morang
- makeup artist
- Rachel Noël
- hair and make-up assistant
- Chantal Ratcliffe
- production coordinator
- Yousra Benziane
- driver
- Pierre Robichaud
- Sophie Bélanger
- still photographer
- Louis-Philippe Chiasson
- casting director
- Marie-Pierre Valay-Nadeau
- Audition camera operator
- Paul Arseneau
- sound editor
- Daniel Toussaint
- sound mixer
- Jean Paul Vialard
- online editor
- Serge Verreault
- graphic designer
- J.W. Jessy Forsyth
- Samuel LeGresley
- Alain Ostiguy
- Cynthia Ouellet
- Julie Raymond
- transcription
- Pro Documents
- subtitles
- Sette
- closed captioning
- Sette
- foley
- Simon Meilleur
- foley recording
- Geoffrey Mitchell
- archival research
- Emma Brunet
- rights clearances
- Emma Brunet
- additional research
- Danika Gourgon
- Jairo Buitrago Ciro
- historical consultant
- Philippe Volpé
- Bernard Thériault
- François Leblanc
- script consultant
- Benoît Guichard
- research consultant
- Luc Bourdon
- Pascale Savoie-Brideau
- protagonist and extra consultant
- Luc Doucet
- narration consultant
- Jean-Philippe Raîche
- original music
- Jean Massicotte
- musician
- Jean Massicotte
- Dominique Beauséjour-Ostiguy
- Jeanne Côté
- Vincent Delorme
- marketing manager
- François Jacques
- line production
- Geneviève Duguay
- administrator
- Geneviève Duguay
- Sia Koukoulas
- senior production coordinator
- Audrey Rétho
- technical coordinator
- Jean-François Laprise
- video technical support
- Pierre Dupont
- Patrick Trahan
- Marie-Josée Gourde
- legal counsel
- Julie Patry
- producer
- Christine Aubé
- executive producer
- Denis McCready
- Nathalie Cloutier
- director of contents
- Jérôme Hellio
- chief of original programming
- Guy Boutin
- principal coordinator of contents
- Joannie Rollin
Awards
- Mention spécialeInternational Francophone Film Festival in Acadie
- Prix du public Coup de coeurInternational Francophone Film Festival in Acadie
- Documentary Feature Special Jury AwardCinema on the Bayou