NFB Collection
The Statue of Liberty: Building a Colossus
200149 min 55 secFilm: Documentary
Production: Gary TarpinianCorin WatsonPaul Don Vito (TLC)
Script: Corin Watson
Produced by Morningstar Entertainment for TLC.
This title is an acquisition.
It is the symbol of freedom the world over... a 'Modern Colossus' to represent America and its values to the world. But the Statue of Liberty was a gigantic undertaking in the 19th century. Oddly enough, the Statue of Liberty was a French invention, not an American one. French artist Frédéric Auguste Bartholdi first presented the idea at a dinner party in Versailles in 1865 after seeing the Pyramids and Sphinx of Egypt. Bartholdi spoke of the enduring impact of these monuments and asked, 'Isn't it time for 19th century people to leave behind their own great lasting legacy?'
Bartholdi's vision was a statue he called 'Liberty Enlightening the World,' a grand gift from the French people to the Americans on the first centennial of America's birth. Little could anyone have imagined that Bartholdi would spend nearly the rest of his life making the 'grand gift' a reality.
At the time, most engineers believed that Bartholdi's vision was impossible. He and his crew had to invent the construction techniques that would become the mainstays of the 20th century. Bartholdi's chief collaborator was a man as determined and brilliant as himself: Gustave Eiffel. The 40-year-old Eiffel was best known for building steel railway bridges - and was still years away from building his Paris namesake. Eiffel convinced Bartholdi that the statue needed to be light and flexible so that it could sway in the wind and survive in the elements. Eiffel suggested an innovative solution where the statue would be 'hung like a curtain' from a sturdy steel frame. Bartholdi insisted that the statue be constructed of copper, hand-hammered over wooden molds in the ancient method known as repousse.
The question facing Eiffel was how to assemble these copper plates on to his steel frame. His solution was simple, yet brilliant. Over 300 of these copper plates are seamlessly interlocked to create the 'skin' of the statue, and yet each one is independently attached to an internal steel framework by only a single bolt. They overlap and can easily expand and contract - and over 100 years later, Eiffel's brilliant solution allows the Statue to withstand the rough weather in New York City's harbor. The Statue was completed in France in July 1884 and sent to New York in 350 individual pieces packed in 214 crates. The Statue was re-assembled on her new pedestal in four months' time, standing 305 feet tall. At its grand unveiling on October 28, 1886, the Statue of Liberty was the tallest structure in the world.
Today, an army of workers continues to maintain it - polishing, painting and repairing - to make sure that the light of Liberty still shines and that the statue itself remains an eternal monument to freedom.
Subject categories
- Foreign Countries > FranceHistorical PerspectivesInternational PerspectivesUnited States
- Architecture > Historical Sites and Monuments
- History > World History
Credits
- executive producer
- Gary Tarpinian
- Paul Don Vito
- supervising producer
- Paninee Theeranuntawat
- producer
- Corin Watson
- writer
- Corin Watson
- editor
- Jeff Schiro
- associate producer
- Betty Sharples
- music composer
- Ramon Balcazar
- director of research
- Eric Jerstad
- director of re-enactment
- Len Talan
- production coordinator
- Steve Faigenbaum
- narrator
- Patrick Van Horn
- director of photography
- Mark Petersson
- Roger Simonsz
- William Hooke
- Fred Martin
- Corin Watson
- coordinating producer
- Derrick McDaniel
- online editor
- Jochen Kunstler
- audio mixer
- Paskal Sound
- animation
- Binary Design
- additional animation
- Jeff Schiro
- effects
- Jeff Schiro
- field audio
- Troy Mathews
- Ivo Hanak
- Nick Katinski
- field gaffer
- Gay Riedel
- Bryan Hoodenpyle
- Rudy Rosales
- hair artist
- Dedre Whitt
- Lynn Felderman
- makeup artist
- Dedre Whitt
- Lynn Felderman
- production assistant
- Nancy Rosenthal
- Jerry Heiss
- Jason Gray
- Cambria Copeland
- David Moore
- Richard Ganci
- Jennifer C. Burd
- Chester Maple
- Andrea Bembenek
- assistant editor
- Michael Lim
- Joshua Duncan
- legal consultant
- Leonard Kalcheim
- project consultant
- Barry Moreno
- accounting
- Michael Cobin
- Ro Cobin
- Andie Weisman
- Tresa Thompson
- Michella Williams
- payroll service
- Michael Cobin
- Ro Cobin
- Andie Weisman
- Tresa Thompson
- Michella Williams
- re-enactment actor
- Morgan Davidson
- Geoffery Gould
- Jeremy Paul
- Casey Riedling
- Anthony Taylor
- Thomas Gleason
- David Williams
- Richard Gelling
- Robert Gersicoff
- Dan Gilvary
- Erin Trickey
- production manager
- Torrae Lawrence
- account executive
- Janet Carlson